Artist Event Management at Rajkot, Gujarat

KACHHI GHODI DANCE FOR WEDDING

Kachhi Ghodi Dance is traditional and a famous dance in Rajasthan. Men dressed in unique costumes will perform this dance in a dummy horse. They use some weapons and also move in dance for the drum beats. The singers accompany the dancers using a narration that speaks of the exploits of the bandits of Bavaria, especially of the regions of Shekhawati.

It is widely performed in wedding and festival events in various places. Adding this in your special occasion or event would create a different and unexpected experience that will live with you forever whenever you think of the event. It is a dynamic dance in which you can find swords show and mock fights. The singer would elaborate the achievements through the song as the bandits were considered as the protectors of Rajasthan.

This folk dance is full of colors and liveliness that would be a great addition to your event. Our Ahmedabad, Gujarat Event Management is one of the prolific Rajasthani folk music groups with expert singers, dancers, and performers. Ahmedabad, Gujarat Event Management delivers the finest Kachhi Ghodi Dance for weddings, as we have graced various events with our Kachhi Ghodi Dance performance in India and abroad.

If you are looking to hire Shehnai players for any kind of event, Ahmedabad, Gujarat Event Management would be your ideal choice. Our experience and the soulful players are the biggest assets of our team.

Our performers are skilled in dramatizing the events in different styles that describe the age-long traditions and triumphs of the bandits of Bavaria. The entire performance would not be looking usual, as our performers enliven it with the inherent skill that makes them live the moment and bring the bandits of Bavaria as you watch. Expertise, skill, and passion make our performers deliver amazing Kachhi Ghodi dance. Our Kachhi Ghodi team is led by amazing talent and a true potential who holds the tradition of Rajasthan in his heart.

The Ahmedabad, Gujarat Event Management is a worldwide Rajasthani (Indian) Folk dance & Music performing company featuring the Rajasthani Sufi (Manganiyar) Music and Marwari folk dances of various Rajasthan cultures. We, based in Udaipur, were formed in 2009 to preserve, perform and spread traditional folk dances from countries around the world.

One of our primary goals has been to use Rajasthani dance & Unique Music to foster awareness and appreciation of other cultures and peoples. Over the years, the company has built a solid reputation for professionalism and excellence.

Ahmedabad, Gujarat Event Management has been Performing In Corporate Events, Trade Shows Fairs, Conferences, Seminars, College Campus Events, Corporate Company Meetings, Private Parties, Appreciation Events, Product Launches Worldwidely

Rajasthani Folk Dance

Rajasthan has many forms of folk dances that are attractive, skillful, and somewhat enjoyable by any age group. Rajasthani folk dances are popular worldwide. Some of Rajasthan’s Marwari dance forms are very much different as only skilled artists can do it. The Ghumar dance from Udaipur and Kalbeliya dance of Jaisalmer have gained international recognition. Folk music is a vital part of the Rajasthani culture. Kathputli, Bhopa, Chang, Teratali, Ghindr, Kachchhighori, Tejaji, etc. are examples of the traditional Rajasthani culture.

Rajasthan’s Dance Forms :

  • Kalbelia Dance
  • Gramin Bhawai Dance
  • Bhavai Dance
  • Ghoomar Dance
  • Gair Dance
  • Teratali Dance
  • Fire Chari Dance
  • Kathputli Dance
  • Kachchhi Ghodi Dance / Kachhi Ghodi
  • Langas Music

Kalbeliya Dance

One of the most sensuous dance forms of Rajasthan, performed by the kalbelia “snake – charmers” community. The kalbelia dancers wear long black skirts embroidered with silver ribbons. As they spin in a circle, their body sways acrobatically, sway sinuously to the accompaniment of pungi, dufli and plaintive notes of the “been” – the wooden instrument of the snake charmers. So that it is impossible to believe that they are made of anything other than rubber. As the beat increases to such high pitch, free-flowing voice, while others join in the dance. The vigorous and zestful display of their perfect movements to the enchanting tune of musical instruments is a treat to the eyes.

To be enamored by a performance of Kalbelia Folk Dance and Songs, head towards the Thar Desert. The timeless desert is where it originated and is to date a cherished part of the culture.

Ghoomar Dance

Ghoomar is a traditional folk dance synonymous with the Indian state of Rajasthan (Earlier Rajputana). The dance is performed by women with elan and grace and includes swaying movements, accentuated with elegant traditional outfits. It has gained a lot of recognition and has been ranked as one of the world’s best local dances. Here’s everything you need to know about it.

Ghoomar Dance is a traditional folk dance of the Bhil tribe performed to worship Goddess Saraswati which was later embraced by other Local Rajasthani communities. The Ghoomar dance is chiefly performed by a veiled group of women who wear flowing dresses called Ghaghara. It was ranked 4th in the list of “Top 10 local dances around the world” in 2013. The dance typically involves performers pirouetting while moving in and out of a wide circle. The word ghoomna describes the twirling movement of the dancers and is the basis of the word ghoomar. According to the traditional rituals, the newly married bride is expected to dance ghoomar on being welcomed to her new marital home. Ghoomar Dance is often performed on special occasions, such as at weddings, festivals, and religious occasions. which sometimes lasts for hours.

Bhavai Dance

Bhavai Dance is a genre of folk dance popular in Rajasthan state in western India. The male or female performers balance a number of earthen pots (mitti / Sand) or brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass, on the edge of the sword, or on the rim of a brass thali (plate) during the performance. The Dance form consists of veiled women dancers balancing up to seven or nine brass pitchers on their head as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword. There is a sense of cutting-edge suspense and nail-biting acts in the dance.

Chari Dance

Chari dance is one of the popular folk dances in Rajasthan India. This dance describes the art of collecting water in a chari or pot by the Rajasthani womens in their day to day life. The woman’s travels miles to collect water for the families and the joy is reflected through this Chari dance. This folk dance is performed by groups of dancers. In chari dance woman hold chari or pots on their head and a lighted lamp is then placed in the pot.

The famous Chari dance belongs to Gujjar community of Kishangarh and only womens perform in this dance. These ladies carry brass pots on their heads balancing it to perfection. These pots are kept ignited with the cotton seeds dipped in oil. These lit pots display beautiful effect in the dark night. While performing the Chari dance woman dance with balancing brass pots (Chari) on their heads and move together and dance on a same sequence. This dance does not have any particular movements except balancing the pots on their heads. This dance is also known as a welcome dance and is a significance of goodness. It can also be considered as the traditional fire dance of Rajasthan.

Chari Dance Elements
The Gujjar womens dress traditionally in colourful Rajasthani dresses while performing the Chari dance. The dancers wear big nose rings, on top of their heads they wear khol(define) of coconut. Sampan ladies wear gold ornaments, Hansli, timniya, mogri, punchi, bangdi, gajra, armlets, karli, tanka, navr are the main ornaments. The background Rajasthani folk music is also one of the reason for the attraction towards this dance . Instruments like dhol, dholak,bankiya, harmonium, nagada and thali.are are used to make folk activity more colourful.

Chari Dance Celebration
The Chari Dance is often perform at the time of marriage occasions, on the birth of a male child or any big festival celebration in Rajasthan India

Teerah Taali

The Kamad community of Pokhran and Deedwana perform this dance in honor of the theft deity, Baba Ramdeo. A rather unusual performance where the men play a four-stringed instrument called a chau-tara and the women sit with dozens of manjeeras, or cymbals, tied on me over their bodies and strike them with the ones they hold in their hands. Sometimes, the women also hold a sword between their teeth or place pots with lighted lamps on their heads.

तेरहताली नृत्य राजस्थान का प्रसिद्ध लोक नृत्य है। यह कामड जाती द्वारा किया जाता है। शिव के ताल और पारवती के लय से ताल शब्द बना है । कामड़ जाती की स्त्रियाँ शरीर पर तेरह मन्जीरे बान्ध कर इस नृत्य को करती है। पुरुष रामदेव और हिन्ग्लाज के भजन गाते हैं। यह लोक नृत्य परम्परा से कामड जाती करती आ रही है।यह राजस्थान का एकमात्र नृत्य है जो बैठकर किया जाता है।इसमे 9 मंजीरे दाहिने पैर मे,2 मंजीरे कोहनी पर तथा 2 मंजीरे हाथों मे पहने जाते हैं।

इसमे नर्तकी अपने मुह में तलवार या कटार दबाकर नृत्य करती है जो हिंगलाज माता का प्रतीक है।

TERAH TAALI DANCE
Members of the Kamada tribe perform Terah Taali Dance which is one of the ancient and most popular Rajasthani folk dances and is performed with Manjeeras and other musical instruments. This dance form depicts the rich cultural heritage of Rajasthan and is a predominantly female performance. In this performance, Manjeeras are tied to 13 different parts of the performers’ body. These Manjeeras’ sounds create the 13 beats or Terah Taal. This beautiful dance form is depicted in a breathtaking manner and can only be performed by professional dancers. It is also performed in the temple of the legendary Ramdeoji located in Runecha.

Terahtali Dance
The Terahtali dance is a very fascinating and unusual dance of Rajasthan. It is considered as a devotional form of dance and it is performed by women folk in a sitting posture. It is termed as Terahtali" as terah (thirteen) manjeeras or cymbals are used to create rhythm on which, the dancers move. Manjeeras are tied on their wrists, elbows, waists, arms and a pair in their hands as well. The women with dexterous and fine movements dance at a strong rhythm on the beats ofManjeeras, whereas, the male accompanists sing and play on theTandoora`. Sometimes, they may hold a sword between their teeth or do the balancing act of holding of pots or lighted lamps on their heads. The Kamad community of Rajasthan is privileged to perform it. This community people perform it to pay homage to their hero Baba Ramdev. In this dance form, women sit on the floor in front of the image of Baba Ramdev & perform various steps.

Kathputli Dance

India (Bharat) is said to be the house of puppets, but it is yet to awaken to its limitless possibilities. The earliest reference to the art of puppetry is found in Tamil classic ‘Silappadikaaram’ written around the 1st or 2nd century B.C.

Almost all types of puppet shows are found in India. Puppetry throughout the ages has held an important place in the traditional entertainment era. Like traditional theatre, themes for puppet theatre shows are mostly based on epics and legends. Puppets from different parts of india have their own identity. Regional styles of painting, sculpture, clothing are reflected in them.

The puppets in Rajasthan are one of the popular sources of entertainment in the rajasthan state. The art of puppetry is practiced by a community of agricultural laborers of Rajasthan. Known as the Bhats, these people have been associated with Rajasthani string puppetry to carry forward their traditional occupation. Though they belong, originally, to the Nagaur area in the Marwar region, they travel all through the countryside to exhibit their skills. Also known by the name of the “kathputliwalas”, they usually perform the puppet shows during the late evenings with stories/songs.

RAJASTHANI PUPPET, a string puppet found in the state of Rajasthan in northwestern India. It is controlled by one string/thread that passes from the top of the puppet’s head, over the manipulator’s hand, and down to one shoulder and controls the body. The shrill voices characteristic of the Rājasthānī marionettes is produced by the head puppeteer, who speaks through a bamboo reed.

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